When our story comes to be told we do not know who will have the telling of it

Wherein 5:30am Sunday morning and I'm drinking Darjeeling tea eating strawberry pineapple pie and reading Kipling


Rudyard Kipling

There is an ancient legend which tells us that when a man first achieved a most notable deed he wished to explain to his Tribe what he had done. As soon as he began to speak, however, he was smitten with dumbness, he lacked words, and sat down. Then there arose—according to the story—a masterless man, one who had taken no part in the action of his fellow, who had no special virtues, but who was afflicted—that is the phrase—with the magic of the necessary word. He saw; he told; he described the merits of the notable deed in such a fashion, we are assured, that the words “became alive and walked up and down in the hearts of all his hearers”. Thereupon, the Tribe seeing that the words were certainly alive, and fearing lest the man with the words would hand down untrue tales about them to their children, took and killed him. But, later, they saw that the magic was in the words, not in the man.

We have progressed in many directions since the time of this early and destructive criticism, but, so far, we do not seem to have found a sufficient substitute for the necessary word as the final record to which all achievement must look. Even to-day, when all is done, those who have done it must wait until all has been said by the masterless man with the words. It is certain that the overwhelming bulk of those words will perish in the future as they have perished in the past; but it is true that a minute fraction will continue to exist, and by the light of these words, and by that light only, will our children be able to judge of the phases of our generation. Now we desire beyond all things to stand well with our children; but when our story comes to be told we do not know who will have the telling of it. We are too close to the tellers; there are many tellers and they are all talking together; and, even if we know them, we must not kill them. But the old and terrible instinct which taught our ancestors to kill the original story-teller warns us that we shall not be far wrong if we challenge any man who shows signs of being afflicted with the magic of the necessary word. May not this be the reason why, without any special legislation on its behalf, Literature has always stood a little outside the law as the one calling that is absolutely free — free in the sense that it needs no protection? For instance, if, as occasionally happens, a Judge makes a bad law, or a surgeon a bad operation, or a manufacturer makes bad food, criticism upon their actions is by law and custom confined to comparatively narrow limits. But if a man, as occasionally happens, makes a book, there is no limit to the criticism that may be directed against it. And this is perfectly as it should be. The world recognises that little things like bad law, bad surgery, and bad food, affect only the cheapest commodity that we know about—human life. Therefore, in these circumstances, men can afford to be swayed by pity for the offender, by interest in his family, by fear, or loyalty, or respect for the organisation he represents, or even by a desire to do him justice. But when the question is of words—words that may become alive and walk up and down in the hearts of the hearers—it is then that this world of ours, which is disposed to take an interest in its future, feels instinctively that it is better that a thousand innocent people should be punished rather than that one guilty word should be preserved, carrying that which is an untrue tale of the Tribe. The chances, of course, are almost astronomically remote that any given tale will survive for so long as it takes an oak to grow to timber size. But that guiding instinct warns us not to trust to chance a matter of the supremest concern. In this durable record, if anything short of indisputable and undistilled truth be seen there, we all feel, “How shall our achievements profit us?” The Record of the Tribe is its enduring literature.

The magic of Literature lies in the words, and not in any man. Witness, a thousand excellent, strenuous words can leave us quite cold or put us to sleep, whereas a bare half-hundred words breathed upon by some man in his agony, or in his exaltation, or in his idleness, ten generations ago, can still lead whole nations into and out of captivity, can open to us the doors of the three worlds, or stir us so intolerably that we can scarcely abide to look at our own souls. It is a miracle—one that happens very seldom. But secretly each one of the masterless men with the words has hope, or has had hope, that the miracle may be wrought again through him.

Speech at Royal Academy Dinner, May 6, 1906